‘There is no why’
at Mardsen Woo Gallery (London) through July 31st
Sayerâ€™s emphatic and enigmatic title is inspired by Kurt Vonnegutâ€™s book Slaughterhouse 5 and with him she shares a pre-occupation with how time is â€˜arrangedâ€™ in our minds. Her experimental typography presented as wallâ€“pieces and projections allows the viewer to experience her three dimensional approach to distilling the essence of a four-dimensional universe. Employing traditional graphic techniques, including letterpress, without reverence and using a monochrome palette, she emphasises the starkness of her message.